From Mr. Bruno Giussani's Blog LunchoverIP I learnt of a British author Charles Leadbeater who just has released a first draft of his upcoming book titled "We Think: Why mass creativity is the next big thing" for anyone to read and comment on. Mr. Leadbeater writes in his book:
"[...] The irresistible force of collaborative mass innovation is about to meet the immovable object of entrenched corporate organisation. This book is about that coming conflict and what will emerge from it. [...]"
And Mr. Bruno Giussani provides a comment as follows:
"[...] He has coined the concept of 'Pro-Am' to describe those pursuing activities as amateurs (often unpaid) but setting the same standards as professionals, and has been very influential in shaping our understanding of the developments of the last decade.
With 'We Think' he tries to go beyond that and describe how the increasing involvement of 'large groups of committed and knowledgeable amateurs, working without pay, are creating highly collaborative forms of organization which operate with little hierarchy and bureaucracy and yet mobilize resources of a scale to match the biggest corporations in the world' and analyze what that means for the future of society and businesses. 'Thank to low-cost technology, many more consumers can become producers at least some of the time (...) The next big thing will be us, our power to share and develop ideas without having to rely on formal organizations'. [...]"
When it comes to Intellectual Property in general and patents in particular, things get interesting. Mr. Leadbeater writes in his book:
"[...] We have come to expect that innovation will come from special people - boffins, geeks, designers, artists - working in special places - labs, garages, studios. They create their inventions and push them down a pipeline to waiting consumers. Every invention has a moment of birth and an inventor who can say, in advance, what their clever gizmo is for. Yet in these new endeavours innovation is the work of multiple authors. It is cumulative, collaborative and often depends on the contributions of intelligent users. It takes place all over, not just in specially designated zones. We expect that innovation will not take place unless people have the financial incentive to be creative. That means they have to be able to patent and protect their intellectual property so they can exploit it commercially. Strong patent protection is the basis for innovation, we are told. Yet in these swirling swarms of creativity innovators share their ideas quite freely and welcome it when others borrow what they have done, to improve upon it. They put a lot of unpaid effort into their innovations and then, bizarrely do not seek to profit from them, nor to control their use. [...]
As Edison took on more complex tasks so his methods became more collaborative. Those collaborators are not household names - Charles Batchelor, James Adam, John Kuresi, CharlesWurth - but as Edison admitted, without them, he would not have come up with many of the inventions which made him famous. We think of Edison as a lone inventor in part thanks to the patent system which routinely named employers as the owners and originators of any invention made by an employee. The patent system disguises the collaborative nature of innovation. Edison had a genius for rapidly developing his ideas by drawing on the talents and skills of others. His laboratories were small communities of creativity. As Edison's career progressed it became harder and harder to see him as 'the' inventor. He was the focal point for a mass of intense creative collaboration and joint authorship. [...]"
Apparently, Mr. Leadbeater at least expects to run into, if not even having decided to actively foster, a certain development leading to a situation where the individual inventor has disappeared, drowned in the crowd. Moral rights of creators in general and inventors in particular are fruits of modern times. Would it be some sort of exaggeration to say that, in this respect, Mr. Leadbeater effectively adjures to go back to early mediaeval times where artists and inventors were not known by name? Could such movement really be a progress over a world where the individual counts? We should not forget that some sort of assertive individuality of named creatives is still a lighthouse of modern occidental culture. Later in his text Mr. Leadbeater continues:
"[...] Proprietary systems for owning and controlling knowledge limit its flow and direct it to where people can pay. That is why so much pharmaceutical research is devoted to diseases of the rich and corpulent and so little to diseases of the poor. In most scientific and cultural fields one person's output becomes another person's inspiration or input. If proprietary controls - such as patents and copyrights - put up the price of inputs, then it will price out of the market some innovators who cannot afford to pay the fee to license access to the knowledge.The alternative to proprietary systems for spreading knowledge and ideas has been international versions of traditional public service broadcasters, often state funded and at times politically motivated. [...]"
Such kind of a statement doesn't get better if repeated over and over again but without a sound empirical basis taking into account all relevant facts, not only a selective subset. Pharmaceutical research is utmost expensive and a very bad example in this context. I think that it is virtually impossible to do some "crowdsourcing" of pharmaceutical research on any relevant scale. Mr. Leadbeater further argues:
"[...] In this world, not surprisingly the incumbents have sought out new ways to shore up their position. High capital costs no longer provide a sufficiently high barrier to entry. So instead over the past two decades there has been a massive expansion in the coverage of intellectual property, copyrights and patents, to make new forms of social production too costly or too risky. This extension of intellectual property is presented as merely protecting creators against theft. But one motive is protectionist in the economic sense: a rearguard action to protect an incumbent business model against disruptive, low cost competition. All of this will make it much harder for consumers to become producers and participants, to cut, paste, add, amend, share.[...]"
This appears to be based on a substrate comprising a lot of conspiracy theory. In this generalisation it is overblown.
Surely, mass creativity, FOSS and crowdsourcing have found or will find their niches in the world economy. This is particularly true in areas where activities are feasible without heavy investments. No doubt, the Internet has expanded such areas greatly. But we should be aware to avoid unhealthy over-generalisations.
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Dipl.-Phys. Axel H Horns is Patentanwalt (German Patent Attorney),
European Patent Attorney as well as European Trade Mark Attorney. In particular, he is Member of: